Dining Room in Authentic Elizabethan Style Assignment

Dining Room in Authentic Elizabethan Style - Assignment ExampleA typical building of the period is Wollaton foyer (1588), Nottinghamshire, built by Robert Smythson it was the first English house to abandon the traditional central courtyard and to erupt in its stead a high-ceilinged great hall lighted by gallery windows and meet by classically proportioned, multi-windowed wings.Bible box - the bible box appeared, these were small side chests designed to verify the family bible. They were later made with a sloping top to facilitate writing and reading. It was the forerunner to the writing desk. They were oak, unexpended natural or finished with oils or beeswax.Colour During Elizabethan times, pretense schemes varied depending upon the location of the home. luminousness food colors tended to be avoided in town and city dwellings due to pollution. Another factor in color choice was often determined by the availability of pigments. In country areas, interior decorations were often carried bug out by traveling craftsmen who carried limited supplies. Paint had to be mixed on site with whatever topically available ingredients could be found. For example, the blue-green color wash used on wooden paneled walls in country areas was derived from the earth pigment terra verde, mixed with egg whites and buttermilk. It is, nevertheless possible to make some habitual statements. For example, during the first half of the Victorian era, walls were usually light colors except for dining rooms and libraries. The here and now half gave way to much more vibrant, rich colors such as vivid putting surface and mahogany brown typically found in bedrooms. During this period, the general feeling was that deep, rich colors compound the importance of a room. Owen Jones, architect and theorist of color and ornament, published a handbook, in 1856, called The Grammar of Ornament. The basis of Joness theories on the use of color was that it was aesthetically correct to use a comple x pattern consisting of one briny color and many subsidiary colors. Considerable thought was given to creating the right balance of both color and texture between wall, molding, ceiling and woodwork. Adding texture to a room was achieved through the use of paper stenciling and specialist paint finishes such as sponging, marbleizing and spattering. In most cases it was very difficult to distinguish wallpaper from paint. The simulation of various kinds